Science should serve the people, says new outstanding young scientist awardee from UP

RHIA GRANA

In 2019, the University of the Philippines Press published Dr. Ronnie Baticulon’s first book, “Some Days You Can’t Save Them All,” containing his essays on medical school and neurosurgery training.

Outstanding young scientist awardee Dr. Ronnie Baticulon is working to make sure the underserved have access to neurosurgeons and general health care

“If you’re a doctor in the Philippines, it’s very easy not to do research,” says pediatric neurosurgeon Dr. Ronnie Baticulon. “You can just do clinical work. There’s no fault in that because when you do clinical work, you’re also serving patients.”

But there’s a small percentage of doctors who devote their time to research. They do it on top of their clinical and teaching responsibilities, without necessarily getting paid extra for it. And Dr. Baticulon of the Philippine General Hospital is one of them.

He was recently recognized as one of the country’s 11 outstanding young scientists by the National Academy of Science and Technology (NAST), in honor of his remarkable contributions to global neurosurgery, pediatric neurosurgery, and medical education.

“[Dr. Baticulon] has completed research projects in global neurosurgery that aim to estimate the burden of neurosurgical diseases and identify barriers to neurosurgical care worldwide,” says the NAST. “His aspiration to be able to provide essential neurosurgical care to all Filipinos who need it, particularly the underserved, underlies his research pursuits and clinical practice, and brings together activities to advance pediatric neurosurgery in the country.”

Dr. Ronnie Baticulon (left) about to start a neuroendoscopic procedure for the surgical treatment of hydrocephalus

State of global neurosurgery

“For the longest time, when people talk about global health or providing essential healthcare, surgery has been a neglected aspect,” observes Baticulon, who has been exposed to the healthcare systems of different countries in his training as a medical student, resident, and fellow. He also undertook courses in Global Health at the University of Tampere, Finland and Global Surgery at the University of Oxford, UK.

A 2015 study by medical journal The Lancet noted that 5 billion people do not have access to safe, affordable surgical care when needed. “This means 5 billion people all over the world who need surgery don’t get it, or they get it late, or the surgery that they’re getting is not safe, which could lead to complications or even death.”

The same is true in the Philippines. The Universal Health Care Act (R.A. 11223) is supposed to have ensured “that all Filipinos are guaranteed equitable access to quality and affordable health care goods and services, and protected against financial risk.”

However, this is not reflected in the current state of our healthcare system, says the UP College of Medicine alumnus. “Now, if you’re poor, you don’t have money, you can’t get admitted in the hospital and get the medications that you need. You cannot get surgery,” he says.

This prevailing situation in many parts of the world, he says, resulted in a global neurosurgery movement. In the last few years, Dr. Baticulon has been involved in studies that try to identify the gaps in neurosurgical care.

In the Philippines, one of the gaps identified is the fact that there are only about 130 to 180 neurosurgeons. This translates to about one neurosurgeon for every 800,000 Filipinos, when the ideal ratio should be between 1 for every 67,000 to 100,000 population. Most of the neurosurgeons are found in key cities and in Metro Manila, says Dr. Baticulon.

“What I’ve realized is that all the letters that come after your name, the titles, they are worthless unless you use them actually to do good, to be kind, and to serve others,” says the pediatric neurosurgeon.

“There are islands in the Philippines with no neurosurgeon,” he says. “So if somebody suffers from a head injury—say, he got into a car accident and there’s blood clot in the brain, it happened in an island where there’s no neurosurgeon—then the patient has to travel by boat, by car, before he gets the surgery needed. By that time, the outcome may not be as good.”

Some of us may have also encountered TV commercials or social media posts requesting for donations for the surgery of children with hydrocephalus. “We still see that when in fact hydrocephalus is quite easy to treat,” he says. “If diagnosed early, [the neurosurgeon] can put in what is called a shunt, which is a device that’s implanted on a patient to drain the water from the brain into the abdomen.”

If the surgery is done early enough, says Baticulon, the child can more or less live a normal life (e.g., can go to school, undergo normal development, have normal IQ). However, in many cases, patients are brought to the doctor when the heads of the kids or infants are already too big, such that when the surgeons operate on them, the outcome is no longer ideal. “Even if you put in a shunt, the patients will still be dependent on their families, they will not be able to go to school, they will not even be able to talk,” says the pediatric neurosurgeon.

Dr. Baticulon has been involved in many global neurosurgery researches, working with colleagues from the US, Africa, and Europe, gathering useful data on the number of people around the world suffering from hydrocephalus and brain tumor, the number of people who had head injuries, the number of neurosurgeons who can provide care, and so on.

One of the major projects he did in 2020 looked into the number of pediatric neurosurgeons in Asia and Australasia, the kind of training they have, the gaps in the care pathway (cultural beliefs, accessibility to information, doctors, or healthcare facilities), and how these gaps can be addressed.

Dr. Baticulon presenting the preliminary findings of his global neurosurgery paper on pediatric neurosurgery in Asia and Australasia at the 3rd Asian-Australasian Society for Pediatric Neurosurgery Congress in 2019 in Incheon, Korea.

Science that serves people

Dr. Baticulon is a firm believer that what the world needs is “science that serves the people.” Thus, more important than getting published in a high impact journal, improving the h-index, or the rankings in Google Scholar, is putting a premium on research that ultimately benefits the public, especially the underserved Filipinos.

In his ongoing research project, his team surveyed the neurosurgeons all over the Philippines. “We tried to find out: Where are the neurosurgeons in the country? What’s the population of their patients? How many operations are they doing? Where are they doing their operations—is it in the public or private hospitals?” he says.

Once the study is published sometime early next year, it can be utilized in mapping out universal health care plans to provide essential neurosurgical care to every Filipino who needs it. He hopes that thru their research, other fields of specialties will also be encouraged to do the same. The project is supported by the Academy of Filipino Neurosurgeons, Inc.

Dr. Baticulon is currently a professor at the Department of Anatomy in the UP College of Medicine. Thus, another field of research close to his heart is medical education. Over the pandemic, he and some medical students from UP conducted a national survey that tried to determine and analyze the barriers to online learning. There were 3,000 respondents from almost all medical schools in the country who participated in the survey. Their findings showed that beyond the physical tech tools, there are actually more important barriers to online learning, among them failure of communication between the educators and learners, the students’ difficulty in adjusting to the online setup, and economic problems, among others. Since it was published, the research has already been downloaded over 200,000 times, the doctor says.

Baticulon (center) completed a short course in Global Surgery at the University of Oxford in 2019. Here he is shown receiving the course certificate from Prof. Kokila Lakhoo (left) and Prof. Chris Lavy (right).

Family of geniuses

Dr. Baticulon belongs to a family of valedictorians. He’s the eldest and the only doctor among five children; his four siblings are all engineers. All five of them graduated as high school valedictorians and were UPCAT passers. A Palanca award-winning writer and book author, Baticulon once wrote an essay about his family labeled “a family of geniuses” by teachers, parents, and students.

It was in first year high school when Baticulon knew he wanted to become a physician, because while he excelled in Math and English, it was the science classes he enjoyed immensely.

“At first, I wasn’t really sure [if I will be able to take up medicine] because I’m not from a rich family. We were poor,” he tells ANCX. “The only reason I was able to go to a private high school (University of Perpetual Help, Las Piñas) was because I was a scholar. I didn’t have to pay tuition.”

To maintain his high school scholarship, he studied hard and joined contests in math, science, and essay writing. He took the UPCAT in 2000 and made it to the top 50 passers, among over 60,000 examinees. This entitled him to an Oblation Scholarship.

Ronnie was admitted into the highly competitive Integrated Liberal-Arts Medicine (INTARMED) program of UP. This allowed him to finish his pre-med and med proper courses in seven years. “I never paid tuition. I only paid P60 per semester until I graduated,” he says, looking back at his years as a UP scholar.

Baticulon was drawn to neurosurgery because he’s long found the brain a most fascinating human organ. “If you can’t move your hand, or you’re not sleeping well, it could be because something is wrong with a part of your brain. It’s always like a puzzle—that’s what I like about neurology,” he says.

He also realized very early on that he didn’t want to be spending his whole day in a clinic, so he decided to specialize in neurosurgery. “I wanted to be doing things with my hands and have a better control of the outcome [of a patient’s treatment].”

The outstanding young scientist says he’s quite the determined type. “I usually have very clear goals. For example, when I said I want to become a doctor, I’ll be a doctor. I want to become a neurosurgeon, I’ll be a neurosurgeon,” he shares. Among his goals was to win the Palanca and to write a book. He was able to fulfill both. His piece “Some days you can’t save them all” won 2nd prize at the 2018 Carlos Palanca Memorial Awards for Literature. This was also the title of his first book published by the University of the Philippines Press in October 2019.

The book, a collection of his essays and stories from medical school and his neurosurgery training, has been consistently in UP Press’ bestsellers list. It’s also a finalist in the National Book Awards this year.

Baticulon (fourth from left) doing ward round with the neurosurgery residents of the Philippine General Hospital, accompanied by rotating medical students.

What the NAST award means to him

The recognition from NAST is an affirmation of his contribution to the field of science. But more than anything else, Dr. Baticulon says, it serves as a reminder and an encouragement that the work of researchers and clinician scientists are important.

“If we don’t write about our experiences, [scholars from western countries] will be writing about it, and we don’t want that,” he says. Amid growing calls to decolonize global health movement, he says it’s important for Filipino clinician scientists to continue the work that they’re doing.

NAST also amplifies the importance of multidisciplinary work and research collaborations. “Sometimes being in the medical field, we just work on our own little space, in our own quadrant, or work with our co-physician,” he says. What’s being encouraged now is for doctors to work with specialists and scientists outside their own fields of specialty.

“A good example would be the science behind COVID-19,” he points out. “It’s not just the voice of the infectious disease specialists that are important. We also need to talk to physicists and aerosol specialists. We need to talk to engineers who know about airflow on how to best mitigate the spread of COVID-19.” The NAST award, he says, will greatly expand his network and open a lot of potential for collaboration.

Dr. Baticulon believes that the ultimate goal of scientists should be geared towards improving the lives of the underserved communities. “What I’ve realized is that all the letters that come after your name, the titles, they are worthless unless you use them actually to do good, to be kind, and to serve others,” he says, echoing an advice he would always tell his students. “Sa lahat ng pagkakataon, higit sa pagiging magaling ang pagiging mabuti.”

[Dr. Baticulon’s book “Some Days You Can’t Save Them All” is available at UP Press bookstores and at https://shopee.ph/uppress.]

Source: https://news.abs-cbn.com/ancx/culture/spotlight/07/17/22/spotlight-nast-awardee-ronnie-baticulon-neurosurgeon

Who are the party-list representatives? Arlene Brosas: Promoting the protection of women, children

by Faith Argosino

Gabriela Women’s Party Representative Arlene D. Brosas
(Photo taken from House of the Representatives website)
An educator and advocate of women and children’s protection and welfare, Arlene D. Brosas is the Gabriela Women’s Party representative in the 17th, 18th, and now 19th Congress.

Gabriela Women’s Party is a sectoral party dedicated to “promoting the rights and welfare of marginalized and under-represented Filipino women through participation in the country’s electoral system and governing institutions.” It was founded on Oct. 28, 2000.

Aside from her work as a legislator, Brosas currently serves as the vice president for partylist of the Association of Women Legislators Foundation, Inc. and one of the advisers in the Board of Trustees of the Philippine Legislators’ Committee on Population and Development (PLCPD) Foundation Inc. since 2019, according to the information provided by the Gabriela Partylist office to Manila Bulletin.
Gabriela Partylist said its representative studied at the University of the Philippines Integrated School (UPIS), earned a degree in Philippine Studies in 1993, and completed a master’s degree on the same course in 1998 at the University of the Philippines (UP) – Diliman.

From 1997 to 1998 and 1999 to 2000, Brosas was an instructor under the Humanities Division of UP Baguio and the Department of Arts and Sciences at UP Manila, respectively.

Before becoming a member of Congress, Brosas led the formation of the Anti-Child Pornography Alliance in 2007, which paved the way for the passage of the Anti-Child Pornography Law.

Brosas also served as an executive director of the Akap sa mga Bata ng mga Guro Kalinga, a nationwide network of volunteer daycare teachers from 2007 to 2009.

Gabriela Partylist information said that Brosas is one of the principal authors of the Expanded Maternity Leave Law, the Occupational Safety and Health Law, the Magna Carta for Day Care Workers, the Additional benefits for Solo Parents, the Anti-Electronic Violence Against Women (EVAW) Law, the Amendments to Strengthen the Anti-Rape Law, and the Sexual Orientation and Gender Identity Expression (SOGIE) Equality Bill, among others.

She also served as an assistant minority leader in the 18th Congress.

To alleviate the effects of the Covid-19 pandemic and the series of oil price hikes, Brosas has filed a bill that will mandate the government to provide P10,000 aid to help calamity-affected families nationwide, and filed a proposed measure granting workers paid pandemic leaves.

The Gabriela representative was a member of the following House committees: agriculture and food; disaster resilience; foreign affairs; government enterprises and privatization; housing and urban development; indigenous cultural communities and Indigenous People; inter-parliamentary relations and diplomacy; justice; land use; micro, small and medium enterprise development; natural resources; population and family relations; public accounts; transportation; ways and means; welfare of children; women and gender equality; and rules.

She was born on Oct. 30, 1976.

Source: https://mb.com.ph/2022/06/30/arlene-brosas-promoting-the-protection-of-women-children/

Pandemic almost crushed my spirit, says 3rd placer in architect’s exam

By: Carmelito Q. Francisco@inquirerdotnet

Julius Benedict Brillante, the third placer in the architect’s licensure exam in 2022. CONTRIBUTED PHOTO


DAVAO CITY—After the architecture licensure examination he was about to take got postponed several times because of the pandemic, Julius Benedict Brillante said he began to have doubts. So, when news reached him that he had made it to the top three, he shouted with glee.

“I was not expecting to land a place in the top 10, although my friends always told me so. I (used to) shrug it off because landing in the top 10 for me was parang suntok sa buwan (like impossible),” said Brillante during a short online huddle on Thursday with journalists in this city.

Although he believed he could pass the examination, he felt it was “almost impossible” to get high marks. Two long years of the pandemic nearly crushed his belief in himself, Brillante told reporters.

“The anxiety that the pandemic brought (became a huge challenge) because we did not know when we could take the exams,” said Brillante, a 2018 magna cum laude graduate of the University of the Philippines-Mindanao.

He was planning to take the examination in June 2020, so he started his review in January that year.

But the World Health Organization declared the COVID-19 pandemic in March, prompting schools and review centers to close. “Everything became uncertain,” he said.

The examination was canceled that year, in October 2020, January 2021, and June 2021.

Then, in August 2021, he learned that the examination would take place in Koronadal City, about a four-hour ride from here. But he failed to take it because he found the lodging arrangement and other logistical needs difficult.

As he was preparing to take the examination in January this year, he and other family members contracted COVID-19, so he had to skip it again.

“The delays made me question whether architecture was still for me,” said Brillantes, who came from a family of medical professionals. His mother and brother are healthcare workers.

When reviews got conducted online, he joined an online discussion group reviewing for the licensure examinations, helping him cope and ensuring that he would not be left behind in terms of preparations.

Brillante said he made at least six attempts before he made it on June 17-19 this year. Of the 4,766 who took the exams, only 3,037 passed. All the 30 examinees from UP Mindanao passed, he said.

When the results were released, he was watching a movie at home. When a friend informed him that he got an 81.8-percent rating, making him the third topnotcher of the exams, he went out of his room and shouted.

“I shouted and shouted. My parents were shocked,” said the newly minted architect, the youngest of three siblings. It was only then that he told them he had passed the examination.

“I’ve always wanted to take up medicine or any medical-related course before, but eventually, I was led to take up architecture,” he said, adding that he was led to it by “divine intervention” and that it somehow paid off.

Brillante was among those who helped UP-Mindanao’s audio-visual presentation in the Philippine Pavilion at the 2018 Venice Architecture Biennale in Italy. Now that he has become a full-fledged architect, he said he would help push for the preservation of heritage sites.

Source: https://newsinfo.inquirer.net/1618094/pandemic-almost-crushed-my-spirit-says-3rd-placer-in-architects-exam

Read, sleep, repeat: Former students look back on memories of UP Library in Diliman

RHIA GRANA

As the UP Library marks it’s 100th year as an institution, and as the Diliman Main Library completes its renovation work, alums wax nostalgic

Gonzalez Hall was named in honor of former UPD President Bienvenido Ma. Gonzalez, who was instrumental in the establishment of the Diliman campus. Photo from @updlibrary on Instagram

Urban planner, landscape architect, and University of the Philippines alumni Paulo Alcazaren refers to it as “the coolest place to be in the university.” And when he says cool, he means it literally. “The high ceilings and wide overhangs kept the interior temperature lower than the rest of the campus, so it was a great place to sleep…er, study,” he says.

As a BS Architecture student, Alcazaren’s favorite area was the periodicals section. “It’s where I get to read the latest design magazines from US and Europe,” he says. “It was also where I discovered Analog, the SF magazine (science fiction), where I read short stories by Isaac Asimov (“2001”) and Philip Dick (“Bladerunner”).”

As a student, Dr. Gerard Lico says he was often mesmerized by the library, the “monumentality and scale of [the structure’s] colonnade, arcade, and grand steps.” Photo by Misael Bacani, UP MPRO via @updlibrary on Instagram

Conservation architect and historian Dr. Gerard Lico completed all his degrees—from bachelor to PhD—in UP. And his major research projects were conducted—guess where?—in the Main Library. “Close nga kami ng mga librarian,” he shares. “Many of my archival research finds were serendipitously found at the basement of the UP Main Library, where the Filipiniana and microfilm sections were located. I remember the smell of old books intermingling with the acetic scent of the microfilm.”

As a student, Lico was often mesmerized by the library, the “monumentality and scale of [the structure’s] colonnade, arcade, and grand steps.” It was in this area where he loved to sit and contemplate.
UP Diliman Main Library

During finals of Law proper, Senator Kiko Pangilinan says he’d stay at the library from morning to night.

The early years

The UP Diliman Main Library has been an integral part of the UP community’s life for over 70 years but its history goes farther back. The UP Library itself was founded a hundred years ago. It was first established inside the University of the Philippines in Manila in 1922. Even then it was already a big structure with a vast collection of books, says current University Librarian Elvira Lapuz. “It was the best library in Asia before the war,” she tells ANCX. Its very first librarian was a lady named Mary Polk (1922-1924) who was from Indiana, USA. Polk was followed by a Gabriel A. Bernardo (1924-1957).

A copy of National Artist Juan Nakpil’s original design for the UP Library published in the 1949 UP Philippinesian. Photo from @updlibrary on Instagram

But World War II happened and it completely ravaged the campus, library included. “Walang naiwan halos sa collection,” says Lapuz. When the P135 million war reparations were approved by the US Congress, part of the funding was used to build a new UP campus in Diliman, and one of the first few buildings constructed was the Gonzalez Hall.

Pedro Siochi and Company started the library’s construction in 1949.

Juan Nakpil, then future National Artist, worked on the design. Nakpil is famous for the Manila Jockey Club, Quiapo Church, and the UP campus’ Quezon Hall, more popularly known as the UP Administration Building. Pedro Siochi and Company started the library’s construction in 1949. It was finished in 1950 and named Gonzalez Hall in 1963, in honor of former UPD President Bienvenido Ma. Gonzalez, who was instrumental in the establishment of the Diliman campus.
UP Diliman Main Library

Construction of the library was finished in 1950.

Memories

More than just a repository for thousands of volumes of books, periodicals, thesis and dissertations, art and multimedia files, the UP Library was a favorite study area and hangout for generations of UP students. Many of their memories are anchored to the Gonzalez Hall.

“I was always on the first floor,” recalls Senator Kiko Pangilinan, another UP Diliman alumni. “During finals of law proper, I’d be there morning to night. Malamig, tahimik and ideal for power naps. Hehe.”

PAL spokesperson Cielo Villaluna, who took up Mass Communication in UP, says Gonzalez Hall provided a serene atmosphere for studying. Since there was no internet yet at that time, “securing the right book as reference was a coveted victory. The library was a go-to place for research so having a good relationship with the librarian paid off,” she says. “The smell or scent of paper permeated the library. The silence which enhanced concentration. The sight of fellow students studying hard. All these are entrenched in my memory bank.”

“The main library meant rest for me,” says Allen Espino, who finished her BA English Major in Creative Writing in UP.

Lifestyle writer Devi De Veyra, who took up BS Clothing Technology in UP, loved visiting the library, though not necessarily for research. “I just wanted to soak in the ambience,” she says. “I go there to walk back in time, a feeling that you can’t replicate with new buildings.”

Allen Espino finished her BA English Major in Creative Writing in UP. Since she used to commute from faraway Las Piñas to the Diliman campus every day, it meant getting up by 3:30AM to make it to her 7AM class. Naturally, she’d be sleepy for most of the day so she would head over to the library during her free time, choose one of those single tables on the far end, read, and doze off. “The main library meant rest for me,” she says.

As for writer Nana Caragay, who completed her Broadcast Communication degree in the Diliman campus, the library was a favorite spot for group meetings, whenever there was a class presentation to prepare for. “The Arts and Sciences lobby/Palma Hall could sometimes get too crowded and chaotic,” she recalls. The Main Library was a good alternative because “it’s an unmissable landmark.”

The renovation of Gonzalez Hall started in 2019.

Renovation

The library has three floors and a basement. It occupies a total floor area of 12,803 sqm (including the lobby and stairs). As it marks its centennial anniversary this year, it finds itself in the thick of renovation work that began in 2019. The years have taken its toll on the integrity of the structure. The spaces needed to be adaptive with the changing needs of the studentry. Thus, in 2015, the University Library started preparing proposals for renovating, retrofitting, and refurbishing the Gonzalez Hall.

“Luma na talaga. It was in dire need of renovation,” says Lapuz. “Back in 2015, we were already thinking of having discussion rooms, learning commons, areas for collaborative learning and studying, pero wala na kaming lugar para doon.”

“We’re looking at a 21st century library complete with all the services of a modern functional library,” says University Librarian Elvira Lapuz.

It was in 2018 when the actual presentation of plans was made. The pandemic delayed the schedules but the university librarian is happy to share the renovations will be completed within this year. As of their last meeting with the construction firm, the renovation is almost 80% done. “We’re looking at a 21st century library complete with all the services of a modern functional library,” Lapuz says, looking forward to the time when Gonzalez Hall can fully serve the UP studentry and faculty once more.

Renovation photo taken in October 2021.

Even during the pandemic, Lapuz says the university library has managed to remain visible and relevant to the academic lives of students. “We may have been closed physically during the pandemic but our engagement via our online platforms continues,” she says. “We continue to serve our faculty, students, and the staff of the university by being present through various means including social media (Facebook, Messenger, Instagram, Twitter, and TikTok).”

Meanwhile, to mark the UP Library’s centennial, the UP System has launched a fundraising program called “UPgrade” to help restore the Main Library’s narra hardwood chairs and tables. For a minimum donation of P10,000, the name(s) of the donor will be engraved on a brass plaque and placed on the restored narra hardwood chairs and tables. Donors will have access to the room-use books and references through a special library card and receive discounted rates for special events reservations.

To mark the UP Library’s centennial, the UP System has launched a fundraising program called “UPgrade” to help restore the Main Library’s narra hardwood chairs and tables.

With more advanced facilities, the UP Main Library could be expected to provide seamless and unhindered access to information. “As gateways to knowledge and learning, I believe that libraries shall continue to play a fundamental and crucial role in the academic life of students. We shall remain to be the neutral and safe space conducive to learning,” says Lapuz. “We shall continue to help shape new ideas, support different perspectives, and continue to be at the center of the creative and innovative academic community that is UP.”

Photos courtesy of Ms. Evira Lapuz

Source: https://news.abs-cbn.com/ancx/culture/spotlight/06/17/22/past-up-students-look-back-on-memories-of-main-library

Art hop: Images of boyhood memories at Shangri-la, cloud paintings at Leon, floral still lives in Cebu

Julien Tan and his art.

Reflections from his boyhood in the sleepy town of Roxas City, Capiz inspired painter and Guerilla Advertising founder Julien Tan’s latest exhibit titled “Beyond Beliefs.” His work explores childhood memories, personal events, and cultural relationships through painting, drawing, and cryptic text. Tan’s approach is unintentional, like following the randomness of children at play. There are glimpses of childlike strokes, recreating fragments of memories from bygone years.

Farmer Scattering Seed by Julien Tan

“Freedom to express thoughts is key to my process. I want to create art that is spontaneous and effortless, innocent and free. I want people to see art that unfastens and unlearns the rigidity of adultness, and one that harkens back to the wonders of childhood… how a child sees the world,” says Tan.

Bedtime Stories by Julien Tan

Tan earned a BFA in Visual Communication from the University of the Philippines College of Fine Arts and a Master’s Degree in Entrepreneurship from Asian Institute of Management. He has over 30 years of experience in the advertising field and his paintings have been exhibited in noted galleries in Manila.

[Catch “Beyond Beliefs” on its last three days. Show ends June 15, 2022 at the 4th level of East Wing Shangri-la Plaza.]

Maligayang Pasko by Javier Galvan

Returning Director of the Instituto Cervantes Javier Galvan is holding his first solo exhibition and it’s called Otras Realidades (Other Realities). Consisting of photographs and paintings, it revolves around the theme of other worlds and realms that are “more sensed than perceived.” According to art writer Cid Reyes, “Galvan’s photographs are pure illusion of another reality, otherworldly, immaterial, sometimes ethereal and lyrical.” Meanwhile, his cloud paintings were influenced by Betsy Westendorp who donated to the Instituto a large painting of clouds during Galvan’s first tenure at the Spanish cultural agency. According to Reyes, the Westendorp work was “painted as a lament and a memorial piece for her eldest daughter Isabel, who died in Madrid while Westendorp was in Manila.”

Waiting for it to Happen (Volcan) by Javier Galvan

[Otras Realidades is ongoing until June 20 at Leon Gallery International, G/F Corinthian Plaza, 121 Paseo de Roxas Street, Makati City.]

The Segregation by Jonathan Abellana

Blooms abound in “Allegories of Silence: The Enthralling Language of Flowers”, an exhibition curated by Jay Nathan Jore which opened Saturday, June 11. The exhibition explores the genre of still life painting and its development within the history of academism in Philippine art. Taking inspiration from two still life paintings by Cebuano master realist Martino Abellana, the exhibition also hopes to examine the place of still life in the development of “Bisaya Realism.” More than a simplistic depiction of everyday objects, or mere painting exercise to hone masterful techniques, Cebuano still life compositions are said to reveal the interrelation of spaces personal and social. Featured artists are Jonathan Abellana, Miko Acaso, Mark Acaso, Ariel Caratao, Ramon de adios, Luther Galicano, JM Llanos, Renulo Pautan, and Ma. Rowena Vios.

At the Corner by Luther Galicano II

[The show runs until July 3 at Florentino’s Art Gallery in Cebu (KM 33 Transcentral Highway, Brgy. Gaas, Balamban). Gallery is open only Fridays, Sundays and holidays, from 10:30AM to 8PM.]

Source: https://news.abs-cbn.com/ancx/culture/art/06/13/22/art-hop-what-to-see-at-shangri-la-leon-florentinos

Dolly de Leon and acting as activism

Written by Jason Tan Liwag

De Leon in “Historya ni Ha” (left) and “Folklore” (right). Photos courtesy of HAZEL ORENCIO and HBO ASIA/YOUTUBE

After her star-making turn in Ruben Östlund’s “Triangle of Sadness,” Dolly de Leon has quickly become an international obsession. Film critics such as Neil Young, Guy Lodge, Jason Gorber, and David Ehrlich have been singing their praises, with Variety’s Clayton Davis even placing her in the early Oscars conversation alongside Michelle Yeoh. Now that the Palme d’Or-winning social satire is set to be distributed by NEON — the company responsible for the successful campaigns of films like “Parasite,” and “The Worst Person in the World” — the odds that de Leon will be at the Oscars does not seem so far off.

Despite receiving the loudest round of applause after the premiere, de Leon still finds trouble believing in her success. “To be honest, I have not broken out in the Philippines,” she says in an interview with Manori Ravindran of Variety, explaining that, up until recently, “bit roles” have constituted her body of work in TV and film.

 

 

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It’s easy to draw connections between her and her character Abigail — a toilet manager at a luxurious yacht who, after a series of (un)fortunate events, suddenly finds herself in a position of power. Knowledgeable of the power dynamics and the stereotypical depictions of overseas Filipino workers (OFWs) and domestic helpers, de Leon applauded Östlund’s choice to reverse hierarchies. “I thought it was a really fantastic idea,” says de Leon at the press conference in Cannes. “To bring us up in a place where we normally don’t feel like we’re in because we come from underprivileged families and we’re a developing country.”

To an international audience unfamiliar with de Leon’s work, both are underdogs that seem to rise out of nowhere. While this level of acclaim for a Filipino actor may seem surprising, those who know de Leon and her body of work will agree that it is long overdue, if not tepid compared to the scale of her talents.

 


 
De Leon began her acting career through the BA Theater Arts program at the University of the Philippines Diliman, where she was mentored by the late Tony Mabesa. Dulaang UP and Dulaang UP Laboratoryo became a playground for experimentation and was her oasis for the decades to come. She’d hone her talents and deliver critically acclaimed performances in stage productions such as Leila Shahid in “Bilanggo ng Pag-Ibig,” Gregoria de Jesus in “Oryang: Las Viajeras,” and multiple roles in José Estrella’s “Sepharad.”

While considered a newcomer in the international scene, Filipino audiences have encountered de Leon in one way or another, her face recognizable even if one cannot always connect her with a name. De Leon would work the next decade as an actor in a variety of daytime and primetime telenovelas such as “Sa Dulo ng Walang Hanggan” and “Pintada.” In 2014, she received critical acclaim for her performance as flamboyant eldest sister-turned-loan shark Linda in Virgin Labfest’s “Ang Naghihingalo” and the widowed Mrs. Lunga in Tanghalang Ateneo’s “Middle Finger” — with Cora Llamas describing the latter as one that “transcend(s) stereotypes to become something intuitively genuine and real.”

But the scale of critical success de Leon had in theater was not as easily replicated in the screen arts, with her only recently landing the lead role in Erik Matti’s “7 Days of Hell” — an episode in the second season of the HBO anthology series “Folklore.” With nearly four decades in acting, Dolly de Leon has been the face of many nameless Filipinas — from her first screen credit as a dormmate in “Shake Rattle & Roll III” to a doctor in “Diary ng Panget” to Rizalista leader in “Babae sa Septic Tank 3.”

Despite this, de Leon’s involvement in Östlund’s “Triangle of Sadness” is unsurprising, largely because her best work always weaves in politics: from starring in Rody Vera and Loy Arcenas’ Martial Law reimagining of Anton Chekhov’s “The Three Sisters;” to playing May in Dennis Marasigan’s film adaptation of “Anatomiya ng Korupsyon;” to producing a series of plays surrounding martial law called “Never Again: Voices of Martial Law” following the burial of Ferdinand Marcos Sr. in the Libingan ng mga Bayani in 2016; to performing a heart-wrenching reading of Leila de Lima’s poem “Sa Bilangguan,” which narrates the senator’s experience of being a political prisoner.



Even if her work does not deal directly with these historical atrocities, her roles have always been involved in narratives that question existing power structures: from her work as the sex worker Dahlia in Lav Diaz’s “Historya ni Ha,” as the mother Ella in Dodo Dayao’s “Midnight in a Perfect World,” and in her FAMAS-winning turn as Elsa in Raymund Ribay Gutierrez’s “Verdict.” Even her more humorous roles such as ‘Daks Chaser’ — a middle-aged woman struggling to get back into the dating scene — in Antoinette Jadaone’s “The Kangks Show” still play a part in questioning gendered expectations of women, and the role of beauty and youth as currency in society.

The magic of de Leon’s artistry is rooted in this understanding of the politics that influence how stories and the characters within them are shaped. Drawing from stories of friends and loved ones who are OFWs, she also later narrated in an interview with CNN Philippines how she used the foreignness of the filming experience to inform her characterization. She is an actress who understands that stories are borrowed and to do them justice means to live them out truthfully onstage and onscreen.
 

 

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“Never look at what you do as something small,” she says, days after being photographed on the red carpet, Palme d’Or in hand. “Everything that we do is big. All of the things we do eventually lead up to an end goal we are all looking for.” Such empathetic, complex, and even humorous work is a culmination of decades of observing, a commitment to telling stories from the fringes, and can only come from an artist whose art is rooted in activism.



Source: https://www.cnnphilippines.com/life/entertainment/Film/2022/6/7/dolly-de-leon-acting-as-activism.html

A dramatic assembly of humans and nature

by Manila Standard

The Cultural Center of the Philippines presents KAINGIN: An Earth Month Art Installation by Jinggoy Buensuceso. Curated by Junyee as a continuation of Angud (2007), the installation was launched on April 30 at the CCP Front Lawn and 4th Floor Atrium.

Visual artist Jinggoy Buensuceso transforms the CCP Front Lawn into a burnt forest with over a thousand contemporary bululs made of molded fibreglass infused with burnt debris, soil, and dust, collected from areas in the Philippines that encounter the most serious environmental struggles. These new sculptures, and their state at every phase of the exhibit, represent the forests that are synonymous to humanity, as their fates are intertwined. If forests die, we die.

Jinggoy Buensuceso’s art installation features bululs made of molded fibreglass infused with burnt debris, soil, and dust

KAINGIN is a dramatic assembly of humans and nature, a wake-up call to make a stand for our land, challenge the current ways, and push for solutions that will sustain humanity without collateral damage.

Jinggoy Buensuceso (b. 1982, Samal, Bataan) is a visual artist and sculptor working at the new frontier of art and design to create a synesthetic creative language that fuses the natural and artificial worlds. Buensuceso’s art is informed by a deep knowledge of materials and processes, both ancient and modern.

The artist feels his way through the connective tissues between humanity and nature, envisioning lines that create the contours of the physical and metaphysical. Each installation and sculpture is influenced by these linear movements.

The dichotomy of existence, with its eternal and opposing forces of chaos and order, nurtures his iconoclastic convictions of the divine pairings that feature in his work. True to his anarchic style, he has embraced the color black as an ambiguous muse: black is everything and nothing; it is sensuous and solemn; it is the color of the void that births manifold universes.

Buensuceso is a graduate of Visual Communications from the College of Fine Arts of the University of the Philippines-Diliman.

Source: https://manilastandard.net/lifestyle/arts-life/314225652/a-dramatic-assembly-of-humans-and-nature.html

Cone snails: From lethal killers to medical marvels

Written by UP Media and Public Relations Office

Ms. Iris Bea Ramiro, UP Chemistry alumna, and researcher at the University of Copenhagen, is out in the waters of Cebu in search of the cone snails that are at the center of her research. Photo courtesy of Ms. Ramiro.

Who could imagine that something as small as cone snails, popular among shell collectors and tropical-themed jewelry makers for their intricately colored shells, is the key to a substantial medical breakthrough waiting to be unlocked?

Perhaps it is fitting that a young Filipino scientist, Iris Bea Ramiro, is next in line to reveal the biomedical potentials in these venomous sea snails commonly found in Philippine reefs and waters. Ramiro, a UP College of Science alumna, a researcher at the UP Marine Science Institute (MSI), and now a Ph.D. student and researcher at the University of Copenhagen Department of Biomedical Sciences in Denmark, is following in the footsteps of other internationally renowned Filipino scientists and UP alumni.

Read the full paper here.

A cone snail sitting in an aquarium. Photo courtesy of Ms. Ramiro.


From toxin to medicine

Conus rolani, one of the two species of Asprella cone snails Ms. Ramiro studied. Photo courtesy of Ms. Ramiro.

Over the past decades, scientists have reported that the toxins produced by cone snails (family Conidae) contain a unique component called conotoxins, which generate new kinds of painkillers and drugs to treat disease. But scientists have barely scratched the surface when it comes to exploring the biomedical potentials of the planet’s marine life, and the research continues.

Ramiro and her team conducted their study off the coast of Sogod, Cebu Province. They observed a deep water species of fish-hunting cone snails of the Asprella clade using a hunting method known as “ambush-and-assess.” This method involves the snail stinging its prey with its venom and waiting between one to three hours for its target to become sluggish and unable to counterattack, after which the snail moves in to finish the job. The method differed from the more widespread “taser-and-tether” technique, where cone snails use toxins to electrocute their prey rapidly; and the “net-hunting” strategy, where cone snails release venom into the water to knock the target insensible. The hours-long wait between the first strike to having a meal in the “ambush-and-assess” method struck Ramiro as unusual, leading her to investigate further by focusing on two species of Asprella cone snails, the Conus rolani and Conus neocostatus.

“No one in our lab was working on it at that time,” she said in the press release published by the University of Utah press. “I was just looking to identify any small peptide (chain of amino acids) from the venom of C. rolani that had unusual or interesting activity in mice.”

She discovered that the toxins Asprella cone snails use contain a peptide called Consomatin Ro1, which closely resembles the neuropeptide hormone somatostatin. Humans naturally produce somatostatin, which inhibits growth hormone secretion and cell production. It may be a possible treatment for cancer, diabetes, pain and inflammation, and endocrine disorders. Consomatin Ro1 resembles a drug analog or copy of somatostatin called octreotide, currently available under the brand name Sandostatin.

Ramiro at work. Photo courtesy of Ms. Ramiro.

The critical difference is that Consomatin Ro1 is slow acting. Unlike human-produced somatostatin, which has only a half-life of one to three minutes, and octreotide, which has a half-life of 90 minutes after intravenous infusion, Consomatin Ro1 has a much longer half-life of more than 158 hours or more than six and a half days. ( During a test involving Consomatin Ro1 in a plasma stability assay, somatostatin’s half-life was five and a half hours.) The peptide from Asprella cone snails can stick around much longer than somatostatin. On top of that, Consomatin Ro1 also functions the same way as somatostatin does. The human body has five somatostatin receptor subtypes that this peptide binds to activate its powers of hormone and cell growth inhibition. So far, Consomatin Ro1 appears to bind strongly to somatostatin receptor subtypes 1and 4, making it an effective compound.

“It has the potential to become a lead for pain treatment because two of those human receptors that the Consomatin targets are involved in pain. So that’s what we pursued and found it works,” Ramiro told Inverse Science writer Elana Spivack.

Sea snail-based neuropharmacology

Ramiro’s research builds upon the ever-growing field of neuropharmacology revolving around predatory sea snails, which scientists have described as “medical marvels”.

The key figures in this field include: University of Utah Distinguished Professor Dr. Baldomero M. Olivera, who earned his BS Chemistry degree from UP and was given an honorary Doctor of Science degree by his alma mater in 2008 in recognition of his accomplishments in marine drug research; and, Dr. Gisela P. Concepcion, UP MSI Professor Emeritus and former UP Vice President for Academic Affairs. Dr. Concepcion, who led the UP MSI Marine Natural Products (MNP) Laboratory until her retirement, continued the research collaboration with Dr. Olivera, which started with her mentor, National Scientist, and UP MSI Professor Emeritus Lourdes J. Cruz, in the 1970s.

Dr. Concepcion served as Ramiro’s MS thesis adviser. Later, while researching Asprella cone snails, Ramiro went to the University of Utah to consult with Dr. Olivera.

UP Professor Emerita Gisela Padilla Concepcion and Ms. Ramiro during the dinner celebrating Ms. Ramiro’s graduation in 2017 after completing her MS degree. Photo courtesy of Ms. Ramiro.

“For many years now, I have been building the Conoidean research capability of the UP MSI MNPLab by collaborating with Dr. Olivera,” Dr. Concepcion said in an interview with the UP MPRO. “Our research assistants and graduate students have been trained in his lab at the University of Utah, and we have succeeded in establishing critical technologies such as snail taxonomy, venom extraction, biochemical isolation, purification, characterization of peptides, peptide sequence determination, chemical synthesis and folding, and animal-, cell- and receptor-based neuroactivity testing. All of these are required to undertake snail venom research.”

The DOST’s Philippine Council for Health Research and Development has long since recognized the value of this research field for the country. It supports the UP MSI’s PharmaSeas Program, followed by the Marine Drug Discovery and Development Program. This support has enabled UP MSI scientists and researchers to publish their discoveries in international journals. Dr. Concepcion names at least four examples of UP MSI studies conducted by graduate students and research assistants she mentored on the peptides produced by various species of sea snails with potential application as painkillers.

As for Ramiro’s discovery of the compound in Asprella cone snails’ venom and its potential, Dr. Concepcion said they have already applied for an Invention Disclosure Incentive (IDI) from the Technology Transfer and Business Development Office of both UP Diliman and the UP System. Although the evaluation process takes time, both Ramiro and Dr. Concepcion noted the possibility of UP partnering with a private company to produce and market the drug.

“We can chemically synthesize sufficient peptide quantities for proof-of-concept studies in an animal pain model,” Dr. Concepcion said.

Press on and persevere

Ramiro grew up in Bohol, where anglers know how to find and catch the venomous cone snails. In an interview with the UP MPRO, she said she received encouragement and support while UP MSI’s MNP Lab was acquiring the equipment to do biochemical characterization of the peptides in the venom, which made for a bit of a slow start.

Ramiro and her fellow UP MSI lab teammates during the same graduation dinner in 2017. Photo courtesy of Ms. Ramiro.


“I think UP has come a long way with new equipment and expertise helping fast-track some of our research,” she said. “I also had excellent lab mates, and we had good teamwork in the field and the lab. We supported each other with the different tasks.”

She also experienced good teamwork as a researcher at the University of Copenhagen. “We are fortunate to receive support and guidance from different research groups as we (my current lab) started experiments in this area.”

Nevertheless, the drudgework of scientific research is the same whether it is done in UP or elsewhere. “Sometimes experiments do not work. One tries the next week again,” Ramiro said philosophically. What keeps her going despite the failed experiments? “Thinking of the ‘why,’ the project’s goal, then aiming for it. Persevering through failures and having fun while doing it.”

Ramiro credits UP for equipping its students with the knowledge and fostering an environment where students are “encouraged to explore and learn from others, not just within the university but even collaborators outside UP. I think UP is well connected with other universities in the Philippines and abroad,” Ramiro noted.

The adventures of a young Pinoy scientist in Copenhagen, Denmark. Photo courtesy of Ms. Ramiro.

And as for the young Filipino researchers and graduate students, Ramiro encourages them to press on and persevere. “Experiments may not work the first time—or the nth time—but one has to try again. Learn as much as you can from others. I learned a lot from discussions with professors, lab mates and colleagues, and our collaborators.”

Then she added: “And as I learned from my recent class, have fun!”

Fascinated by the secret biomedical powers of cone snails and other Philippine marine animals? Learn more in these three educational videos by TVUP:

Dr. Ronie Calugay of the UP Baguio Biology Department on “Conotoxins”

Dr. Gisela Concepcion on “Marine Organisms from the Philippines”

Dr. Lourdes Cruz, “From Killer Snails to Biodiversity”

Feature story by Franco Gargantiel and Celeste Llaneta, UP Media and Public Relations Office

Source: https://up.edu.ph/cone-snails-from-lethal-killers-to-medical-marvels/

Bukidnon millennial left corporate job to make gourmet chocolates for a living

By: Vic Thor A. Palarca

When Medily S. Villamayor decided to take a break from corporate life, little did she know that she would be sticking around in her hometown Malaybalay for a while.

Because part of her daily grind involves assisting her father, retired colonel turned farmer Edgardo M. Villamayor, with processing their farm’s produce like mangosteen and turmeric into consumable powders, the thought of processing cacao beans and turning them into sweet treats crossed her mind.

The chocolate maker shows off her creation. Med Villamayor is on a constant lookout to maintain the quality of her chocolate bars.

The experience in processing mangosteen prompted Med to self-study chocolate making by watching how-to guides on YouTube. She also did research work through the internet, after realizing that there is a growing interest and market demand in sourced cocoa and organic chocolates using single-origin cacao as the main ingredient.

In her one month respite at EMV Diversified Farm, the family’s certified Learning Site for Agriculture (LSA), the UP-Mindanao B.S. Applied Math graduate started making chocolates in 2018.

The early bars of chocolate were far from perfect, but it marked a start in her calling and career as a chocolatier. “Most of us got the idea how tableya is processed, I was quite challenged on how to come up with chocolates. It’s pretty much the same process, from the drying of the cacao seeds to grinding, but how is chocolate made?” Med says.

In a scheduled interview, Med shares her thoughts below regarding her sweet source of income.

For that velvety smooth chocolate experience, Med refines her cocoa paste with a melanger.

What inspired you to venture in making chocolates?

“Ganahan ko ug chocolates. Wala man siguro tao nga walay hilig sa chocolate. Specially kadtong sa gamay pa ta. Ingon pa nila, 9 out of 10 ganahan ug chocolates, but one of them is probably not telling the truth. (I like chocolates. I think no one dislikes chocolate, especially when we were younger. As they say, 9 out of 10 likes chocolates, but one of them is probably not telling the truth.)

What did you find the most challenging about starting your own business?

The challenge was getting the right equipment since when I started, I was using the generic galingan (grinder) and then I saw on YouTube this thing called melanger, which gives off very fine and creamy cocoa paste. A chocolate melanger is a cylindrical device used to grind cacao beans and nibs to make cocoa paste (also known as chocolate liquor). This is an ideal kitchen tool for chocolatiers who want to make their chocolates super fine and extra smooth.

So I started making chocolates, but it was coarse from the get-go. It tasted “chocolatey” already but the look and mouthfeel is just like tableya with sweeteners on it. I personally wanted to have that chocolate experience the way we enjoy a store-bought chocolate bar.

I found out later on, that there is a difference in terms of consistency when availing the grinders in the local market from that of a melanger. I experimented on the percentage of sugar, cocoa concentration, the taste, and until such time that I got the right mixture and blend per bar.

At the moment, as the manager of EMV-Processed Food Products, I am the sole in-charge of making our chocolates. I have a helper who does the washing of the utensils and kitchen tools.

To date, EMV Processed Food Products have three chocolate variants: the 70% Dark Chocolate with no milk content, their bestseller 45% Milk Chocolate and the 55% Dark Milk Chocolate which comes in sleek and sophisticated packaging. The 14 grams is sold at 45 pesos each, while the 50 grams are sold at 100 pesos each.

What goes into each bar of your popular gourmet chocolates?

In a nutshell, my process of making my chocolate bars start with the same process of producing tableya, but I just make it finer with higher standards. Then I add milk and sugar to make my bars creamier.

When making chocolates, I refine everything with a melanger. Then I add sugar, milk, and cocoa butter. Then it goes through the process of tempering and into the mold. I use a polycarbonate mold, but an ice cube tray or a thin sheet of silicon tray will do also.

What makes chocolate really good and fine to eat is through tempering with the use of a spatula and a scraper. Tempering is also known as slab or table method. A chocolate does not melt easily when it goes through the process of tempering. I noticed that the outcome is good when I temper my chocolates, and most of the bars I sent to trade exhibits are the ones easily sold out.

For now, I have three variants: 70% Dark Chocolates (percentage refers to the cacao content, no milk) 45% Milk Chocolate (the bestseller) and 55% Dark Milk Chocolate. They have a one year shelf life if processed right. The 14 grams are sold at 45 pesos each, while the 50 grams are sold at 100 pesos each.

Before going for its standard shaped chocolate bar, Med also tried different molds to study the marketability of each product form.

What are the challenges and your marketing strategy to reach out to your customers?

On its initial outing, the marketing of the chocolate bars were done through word-of-mouth. Most of my mom’s officemates (Bukidnon State University college dean Mercidita S. Villamayor) in the academe or school visitors drop by at the farm and we let them have a free taste or offer snack during meetings and event giveaways. Other times, balikbayan friends and OFW colleagues would order my chocolate bars as pasalubongs. I still make bad bars due to the wrong temperature and timing, but I’m getting the hang of it. As the cliché goes, practice makes perfect.

Another challenge is to brace myself from questions of potential customers like ‘’nganong mahal imung chocolates?” (why are your chocolates expensive?) It’s a challenge to alter their mindset that what they pay for are premium chocolates worth their money. Good thing, the market demand for organic is growing since consumers are gradually getting aware of the health-risk of consuming alternatives compared to the real thing.

Can you share more about the real and fake chocolates you mentioned earlier?

I have learned from experts that there is real chocolate and fake chocolate. The real chocolates come from the cacao plant, from the ground cacao beans added with sugar and milk plus cocoa butter. You can tell by its aroma, texture, the snap, and the chocolateness that simply spreads into your mouth. The fake chocolate is composed of coconut oil and cocoa powder.

There is also a debate about white chocolates. Real white chocolate consists of cocoa butter plus sugar, plus milk. The cocoa powder was removed, and only cocoa butter was used. There is still a cocoa component though. You can call it chocolate when there is a cacao component.

In five years time, what can your customers expect from EMV Processed Food Products?

More food items and products. There is a plan to develop cacao wines, since I have already tried making banana wines on our farm. I saved the juice and within 6 to 12 hours it must be transferred to the fermentation bottles so that you can make them into wines. Unfortunately, for now, the harvested cacao pods in the farm aren’t enough to generate cacao juice to make wine. We can always buy or outsource wet beans though.

What advice do you give to those who want to turn their passion into business?

Do what you love doing. Give it a try first. Try farming. Try business. If it works for you, go for it. Go for that thing that sparks your interest. In my case, I did not intend to engage in business since I was eyeing to secure a corporate job. I started as Operations Research Analyst, then eventually, I did a lateral transfer to Systems Architect in a life insurance company. Then I resigned and figured out what to do next, something worthwhile my time and effort and something I enjoy doing.

Also, try to gather more information and skills. I was lucky and thankful for the Department of Trade and Industry (DTI) for their training on chocolate making. I enjoyed and learned so much since it was demonstrated through a hands-on process.

Aside from your own creations, what are your favorite chocolate products?

My chocolate of choice is either Meiji, Auro, or Theo and Filo. I lean towards the less sweet stuff, with the milk not overpowering the chocolate. Dark chocolates and sometimes milk chocolates, but not so sweet.

For more on chocolate making and cacao processing, watch ATI NorMin’s AgriStoryahay sa ATI Webinar Series – Episode 26 here: https://www.youtube.com/watch?v=xM3aUd8UuEs

Screenshots from ATI NorMin’s AgriStoryahay sa ATI Webinar Series – Episode 26

Source: https://mb.com.ph/2022/04/01/bukidnon-millennial-left-corporate-job-to-make-gourmet-chocolates-for-a-living/

Martial Law Babies: Raffy Aquino, activism as optimism

By: Boying Pimentel – @inquirerdotnet

(8th in a series of profiles of Martial Law Babies as we prepare to mark the 50th anniversary of the martial law declaration in September. Ferdinand Marcos tried and failed to mold this generation into his version of the Hitler Youth. They fought his dictatorship instead.)

Raffy Aquino’s most vivid memory of the day Ferdinand Marcos declared martial law in September 1972 was of his lola standing at their front door waiting for him when he came home.

Lawyer and former student leader Raffy Aquino. CONTRIBUTED

In Ilocano, she told him to come inside — and be quiet. “Somber yung mood. The mood was somber.”

For those of us who were children when martial law was declared what happened to TV broadcasts was one most of us remember clearly. For suddenly, there was nothing on TV. We have different ways of remembering what we saw. Kiko Pangilinan described the static as ants. Raffy compared it to snow,

Another memory stands out for most of us: the silence and the fear.

Raffy’s father had been a staunch critic of Marcos whom he considered a fraud for claiming to be a World War II hero. “My father never bought into that.” His father also was confident that Marcos would never dare declare martial law.

When that did happen, “biglang tumahimik sa dinner table. It was suddenly quiet at the dinner table,” Raffy recalled. “Let’s feel our way through this,” his father said.

His father would regain his bearings eventually and resume his critical attitude toward what is now a dictatorship “although in softer tones.”

In a way, Raffy was lucky compared with most of us Martial Law Babies. Yes, the songs praising his vision of a New Society he found moving and “catchy.” But influenced by a father who saw through the lies of the regime, he knew that he and most of us were being fed lies — Marcos propaganda.

And as a young man, he would join the fight against the lies — and the silence.

***************

Like other Martial Law Babies, he saw how Filipinos fought back — with noise. The April 1978 noise barrage is still remembered as a triumphant act of defiance that showed most of us that the dictatorship was not invincible.

“Kasama kami sa banging of pots and pans, At the appointed time, nag-erupt ang buong Kamias. We joined the banging of pots and pans. Kamias erupted,” Raffy recalled, referring to where he and his family lived in Metro Manila where the protest happened.

“It was deafening and inspiring at the same time,” he said. “Truly, it was a crack in the wall of silence.”

He would become even more deeply involved in the fight to break that wall of silence and fear as a student at UP Diliman.

And there was one time when creating noise and speaking out got him in trouble. Raffy was at the big 1982 student demonstration at Liwasang Bonifacio, which was violently dispersed.

“We hid under the steps of the post office and we saw the aftermath of the dispersal. Maraming nasaktan. Many were hurt.”

He decided to leave his hiding place to confront the police general about the need to help the students who were hurt. Raffy was arrested and spent a few days in jail at the Manila Western Police District headquarters

By then, he had heard and was impressed by the work of human rights lawyers who were playing an increasingly important role in defending those who were fighting the dictatorship. Many of them belonged to the Free Legal Assistance Group led by revered opposition leader Pepe Diokno, who immediately sent FLAG lawyers to help out Raffy and other arrested students.

Eventually, FLAG and human rights law would become part of Raffy’s life, as a student and later as a lawyer. He went on to become one of the leaders of the UP Student Law Government. He spearheaded what is still remembered as the elected body’s most memorable role in the final confrontation with the Marcos dictatorship.

When the February 1986 uprising began, the UP Law Student Group proclaimed itself as the UP Law Liberation Forces and headed straight to where the action was on EDSA right outside at Camp Crame.

“We arrived before the multitude and were able to position ourselves right in front of the Camp Crame gate,” he recalled in a Facebook post in 2016. They paid two cigarette vendors to climb the camp gate and hang the “U.P. College of Law” banner.

Raffy spent years looking for “photographic evidence” of the act of rebellion. “Finally, today, thirty years later, I found it! UP LAW!!!” he said in 2016.

The 1986 uprising was a defining moment for our generation. There were many of us who hoped Cory Aquino would usher in a new era in our history focused on strong democratic governance and human rights.

That didn’t happen. And that failure led to the rise of a Duterte and to the possible return of another Marcos. There were many squandered opportunities to expand and strengthen democratic institutions.

At UP in the 1980s, we had hoped that the progressive movement would build on the political culture that inspired generations of activists to join the fight against dictatorship. It was a culture rooted in the belief that politically organized and engaged communities that historically have been shut out of the political system — workers, farmers, students, fisherfolk — can ensure a dynamic democracy not dominated and distorted by elite politics.

That’s now how things turned out.

One of the most stunning developments in recent years is how major left organizations actually embraced Duterte when he ran for president and even after he took power — even when his government began its murderous campaign.

It is puzzling and disappointing, he said, that the left “had to go to bed with Duterte.” And so is the possibility of a Marcos comeback.

“Nakakalungkot isipin na yong efforts mo belonging to that generation has all been for naught. It’s sad to think that all your efforts have been all for naught.” His biggest fear is “that we degenerate into a failed state under Marcos (Jr.) that will totally negate the movement toward modernization and stronger institutions.” There is also a more personal fear, “that our daughter would no longer find any compelling reason to stay in the country. Nalulungkot ako doon sa totoo lang. I am truly saddened by that.”

The Leni Robredo campaign offers hope, he said. Last weekend, Raffy and his family joined the massive and impressive Pasig mobilization for the Robredo campaign.

“Fighting for the future with some very nice people by your side. Does not get any better than this,” he posted on Facebook.

Earlier, he said, “We welcome miracles, and celebrate them. The point, however, is not to rely on them. Paghusayin ang hanay.”

The statement underlined the kind of politics we understood to be the key to a really strong democratic society: organized, empowered communities who define their own futures aided by leaders who rise and move forward with them.

“Patuloy pa rin ako. I push on,” he said, as he recalled the quote from the Italian revolutionary Antonio Gramsci, whom many of us admired. “Pessimism of the intellect, optimism of will.”

“My mind is pessimistic, but my will is optimistic,” Gramsci said. “Whatever the situation, I imagine the worst that could happen in order to summon up all my reserves and will power to overcome every obstacle.”

That reminded me of another leader, the Czech dissident, writer and statesman Vaclav Havel, who led the resistance to Soviet repression and spent years in prison before spearheading the Velvet Revolution in Czechoslovakia in 1989.

“Hope is not the conviction that something will turn out well,” he said, “but the certainty that something is worth doing no matter how it turns out.”

Source: https://usa.inquirer.net/96580/martial-law-babies-raffy-aquino-activism-as-optimism